![]() Moreover, the White Room with black curtains feature century-old doors accenting our decorative-heavy industrial fixtures throughout the entire venue. ![]() Table bases used in a local Cape tavern in the 1970’s were pulled from an old barn and attached to custom-built tabletops fashioned with unique epoxy/resin finishes. Keeping to a mostly industrial feel throughout, we actually created a new hybrid of this style which we've named Kandarian. Almost every element of this project – short of the obvious – was built, not bought. All, with the help of so many others including live sound engineer, Loren Press, a thirty-year veteran of NBC studios who has crafted one of the best live sound systems in a venue throughout the New England area.Īuthenticity is paramount to the owners of The Music Room, not just for live music or recording, but to represent the vibe of the venue. However, it is the collective vision of The Music Room by its owners – principal, Brian Serpone and partners Scott Cornella and Grammy-winning producer Paul Nelson that makes this so special. Keeping a project of this scope under the radar was almost as challenging as navigating the buildout during a Global Pandemic. And for the fans, it is an opportunity to do the same.įor the past 15 months, and under a relative veil of secrecy to the public, we have been hard at work building the most diverse live venue which will include almost every musical genre from blues to rock, country, folk and bluegrass to rock & roll, jazz and gospel, pop, alternative, reggae, trending and so much more. In fact, many of the most iconic figures in music history began their careers at smaller, legendary clubs such as The Troubadour, The Iridium, and The Casbah and the 90-seat Blue Bird Café in Nashville where both Garth Brooks and Taylor Swift got their launch.įor musicians, these smaller venues offer an opportunity to get up-close and personal with their most ardent fans. Some of the nation’s most notable music venues only have room for a hundred, a few hundred (or merely dozens of) attendees. Thankfully, you don’t have to go to a stadium or arena to see world-class music. Paying $200 for a nosebleed seat and spending hours trying to get out of the parking lot, you might question the time, money, energy and commitment of seeing your favorite artists in that setting. However, as amazing as giant stadium shows are, they can also be a big headache – and in this new Covid-world, very likely obsolete for the foreseeable future. Elaborate lights and stage design in a 20,000-seat arena elevate a good show into a theatrical, once-in-a-lifetime event. This, along with a full bar offering exotic craft cocktails, craft beers, wines and an ultra-exclusive dining experience.Īttending a huge stadium or arena tour can be magical. You might still find the "derived mode" improvement useful, but I suspect trying to make this particular mode 100% global is not going to work very well at all.The Music Room is a next-generation venue that will showcase the greatest live VIP musical experiences of both national and international acts alike, unmasking the most talented emerging artists on the rise and in the most intimate of settings. Whether you need to explicitly load/require the library depends on how you've installed it but as you're using the library already, that's presumably been taken care of, meaning it's then just a case of: (global-writeroom-mode 1)Īlternatively (to all of the above), you could ignore the global mode provided, and create your own alternative global minor mode, as described in How to enable a non-global minor mode by default, on emacs startup?Įdit: Well I've had a bit of a play with writeroom-mode, and it would seem there are very good reasons why its global mode was a bit conservative. (apply 'derived-mode-p writeroom-major-modes)) If `writeroom-major-modes' is nil, activate `writeroom-mode' This function activates `writeroom-mode' in a buffer if thatīuffer's major mode is a member of `writeroom-major-modes', ![]() ![]() Not strictly relevant to your question, but perhaps useful if you find the "all modes" approach overkill. That way the default value of '(text-mode) would match not only text-mode, but every mode derived from text-mode. I also changed the existing test to check for a derived mode match, rather than simply an exact match. The following will redefine the function which makes that decision, so that if the writeroom-major-modes is nil (empty list), it will turn on for any major mode. So now that you've provided a link (albeit in your other question), I can see that the library provides a global minor mode which only turns itself on for a specific configurable set of major modes. ![]()
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